Solid Kodi 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Habana Deco ML' by HiH (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, album covers, playful, retro, geometric, quirky, chunky, attention grab, graphic impact, retro flavor, decorative display, brand voice, stencil-like, monoline, rounded, angular, modular.
A heavy, solid display face built from simple geometric masses—circles, wedges, and rectangular blocks—where many counters are intentionally collapsed into filled forms. Strokes read as monoline slabs with frequent sharp triangular cut-ins and notches that create a stencil-like segmentation, especially in letters such as C, G, S, and several diagonals. Curves are broadly rounded and bulbous, while joins and terminals often resolve into flat chops or pointed wedges, producing a modular, cut-paper rhythm across the alphabet. Uppercase shapes lean more monolithic and emblematic; lowercase forms are similarly compact with simplified bowls and short extenders, keeping the overall texture dense and poster-forward.
Best suited for short, high-impact settings such as posters, headlines, event titles, logos, and bold packaging where its solid silhouettes can carry the message. It also works well for playful branding systems, album/cover art, and splashy pull quotes, especially when paired with a simpler text face for supporting copy.
The tone is bold and mischievous, mixing mid-century geometric optimism with a toy-block irregularity. Its blocked counters and wedge cuts give it a constructed, sign-shop feel that reads as graphic and attention-seeking rather than textual or refined. Overall it communicates fun, punchy energy with a slightly eccentric, puzzle-like personality.
The design appears intended as a graphic, counter-collapsed display font that prioritizes iconic silhouettes and rhythmic cut-ins over conventional letterform transparency. By combining basic geometric primitives with stencil-like notches, it aims to create a distinctive, easily recognizable word shape that feels both retro and deliberately unconventional.
Readability holds best at large sizes where the internal cut-ins and collapsed openings become intentional graphic features rather than ambiguities. The numerals and round letters (O, Q, 8, 9) emphasize the circular motif, while diagonals (V, W, X, Z) use large triangular masses that heighten the zig-zag cadence in words.