Sans Faceted Koba 6 is a bold, wide, monoline, upright, normal x-height font.
Keywords: headlines, logos, posters, packaging, titles, techno, industrial, futuristic, arcade, mechanical, geometric styling, futuristic tone, systematic consistency, high impact, octagonal, angular, chamfered, stencil-like, geometric.
This is a heavy, geometric sans with faceted construction: curves are consistently replaced by straight segments and chamfered corners, producing octagonal counters in round letters like O, Q, and 0. Strokes maintain an even thickness, and terminals are typically blunt with diagonal cuts that create a crisp, engineered texture. The lowercase follows a simplified, single-storey approach with compact bowls and squared shoulders, while figures and capitals share the same angular, segmented logic for a highly consistent system. Spacing reads open enough for display use, with sturdy silhouettes and minimal internal detailing.
It performs best in short, prominent settings where its angular facets can read as a deliberate style choice—headlines, title cards, branding marks, and poster typography. The robust shapes also suit product labeling and packaging where a technical or futuristic flavor is desired.
The faceted, cut-metal look gives the font a distinctly techno and industrial tone, evoking signage, machinery labeling, and retro arcade or sci‑fi interfaces. Its sharp geometry feels assertive and utilitarian rather than friendly, leaning toward a constructed, engineered aesthetic.
The design appears intended to translate a geometric, faceted display look into a full alphanumeric set with consistent chamfer logic across capitals, lowercase, and numerals. By replacing curves with planar cuts and keeping strokes even, it aims for a crisp, manufactured feel that remains legible at typical display sizes.
Diagonal corner cuts become a defining motif across the set, creating a rhythmic pattern in joins, crotches, and apexes (notably in A, V/W, and X). The design prioritizes strong silhouettes and repeatable geometry over calligraphic modulation, which helps the face feel systematic and grid-built.