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Print Beras 3 is a very light, narrow, medium contrast, upright, very short x-height font.

Keywords: notes, packaging, greeting cards, kids materials, social graphics, friendly, casual, playful, approachable, hand-drawn, handwritten realism, everyday warmth, casual legibility, personal tone, monoline, airy, loose, bouncy, quirky.


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This is a light, hand-drawn print face with monoline strokes and softly uneven contours that preserve a natural pen rhythm. Letterforms are mostly upright with a slightly bouncy baseline and irregular widths, giving the text a lively, human cadence rather than strict typographic uniformity. Terminals are rounded and occasionally tapered, with simple, open counters and minimal ornament; a few glyphs feature gentle loops (notably in descenders and some capitals) that add character without turning into full cursive connections. Numerals follow the same loose, handwritten logic, staying clear and open while retaining the same stroke jitter and informal proportions.

This font suits short to medium-length text where an informal, handwritten feel is desired—such as greeting cards, stationery, product packaging, labels, classroom/children’s materials, and casual social or web graphics. Its light, open drawing also works well for overlays on images and for headings where a personal tone is more important than rigid typographic precision.

The overall tone feels friendly and unpretentious—like neat personal handwriting used for notes, labels, or classroom materials. Its light touch and relaxed shapes read as playful and approachable, with a subtle quirky charm coming from the organic inconsistencies and looped details.

The design appears intended to capture neat, everyday handwriting in a clean, print-like form—prioritizing warmth and authenticity over mechanical regularity. Its restrained stroke weight and simple construction suggest a practical handwritten voice that stays legible while still looking distinctly hand-drawn.

Uppercase letters tend to be narrow and tall with simple construction, while lowercase forms keep generous spacing and open apertures for an easy, uncluttered texture. The sample text shows good flow in multi-word lines, with enough variation to feel handmade while remaining consistently styled across the set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸