Cursive Kyliv 2 is a very light, very narrow, medium contrast, italic, very short x-height font.
Keywords: wedding stationery, brand signatures, beauty packaging, invitations, social graphics, elegant, airy, delicate, romantic, fashion-forward, signature feel, modern elegance, light flourish, personal tone, monoline, looping, swashy, tall ascenders, open counters.
A slender, monoline script with a consistent rightward slant and long, sweeping entry and exit strokes. Letterforms are built from narrow oval loops and lightly tensioned curves, with occasional extended terminals and understated swashes that add movement without heavy ornament. Capitals are tall and gestural, often forming single-stroke silhouettes with open bowls and soft, tapered turns, while lowercase maintains a compact body with relatively small counters and frequent joining behavior. Overall rhythm is fluid and slightly irregular in a natural hand-drawn way, favoring continuous strokes and airy spacing over rigid construction.
Best suited for short to medium display settings where its fine strokes and flowing joins can breathe: invitations, wedding and event collateral, boutique branding, cosmetic or fragrance packaging, and headline accents in social media graphics. It can also work for pull quotes or product names when set at comfortable sizes with generous tracking to preserve clarity.
The font conveys a refined, intimate tone—light, graceful, and personal—like a quick yet polished signature. Its looping forms and restrained flourish give it a romantic, boutique feel suited to elegant, modern stationery rather than bold or utilitarian messaging.
The design appears aimed at capturing a stylish, contemporary cursive handwriting look—signature-like and lightly swashed—while maintaining a consistent, clean line quality. Its proportions and looping capitals suggest an emphasis on elegance and motion for branding and celebratory applications.
Numerals follow the same handwritten logic with simple, lightly looped forms (notably the 2, 3, and 8), keeping the set cohesive. The contrast comes primarily from curvature and stroke momentum rather than stroke-weight changes, so texture stays even and whisper-thin across longer lines of text.