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Free for Commercial Use

Print Iskuh 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'FF Mark' and 'FF Mark Paneuropean' by FontFont, 'Menco' by Kvant, 'Ruggles' by Matteson Typographics, 'Sebino Soft' by Nine Font, and 'June Pro' by Schriftlabor (names referenced only for comparison).

Keywords: kids branding, posters, packaging, stickers, headlines, playful, friendly, chunky, casual, bubbly, approachability, handmade feel, display impact, cheerful tone, quick readability, rounded, soft corners, monoline, blunt terminals, cartoonish.


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A heavy, rounded sans with a hand-drawn, marker-like construction and consistently thick, low-contrast strokes. Shapes lean toward simple geometric forms but are intentionally imperfect: curves are slightly lumpy, joins are softened, and terminals are blunt and padded. Counters are compact (notably in O, P, R, and a), and apertures are generally tight, giving the letters a dense, sturdy texture. Uppercase forms are broad and simple; lowercase is single-storey for a and g, with a short-armed r and a compact e, producing an informal rhythm that stays highly legible at display sizes.

Well suited to children’s products, playful branding, posters, packaging, stickers, and social graphics where a friendly, chunky voice is desired. It works best for short headlines, labels, and callouts, and can support brief body copy when set large with generous leading.

The overall tone is warm and lighthearted, with a kid-friendly, homemade energy. Its chunky softness reads approachable rather than strict, making it feel conversational and upbeat.

The design appears intended to provide a highly legible, cheerful display face that mimics thick hand-lettering, prioritizing warmth and personality over strict geometric precision. Its rounded forms and compact counters aim to create a bold, approachable presence that holds up in attention-grabbing contexts.

The set maintains clear differentiation between similar forms (e.g., I vs l through proportions and terminals), while the numerals follow the same rounded, thick-stroke logic for consistent color in mixed text. The boldness and tight counters make it more effective when given ample size and spacing than in dense, small UI copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸