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Free for Commercial Use

Shadow Mude 3 is a bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Fabrikat Kompakt' by HVD Fonts, 'PF DIN Text' by Parachute, and 'Pulse JP' and 'Pulse JP Arabic' by jpFonts (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, playful, retro, cartoonish, boldly graphic, cheerful, dimensional impact, retro flavor, friendly display, attention grab, rounded, soft corners, chunky, inline detail, drop shadow.


Free for commercial use
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A heavy, rounded display sans with softly squared curves and generous interior counters. Each glyph is built from a solid silhouette accented by an internal cut-in/inline highlight and a consistent offset shadow that reads like a duplicated layer. Terminals are blunt and friendly, joins are smooth, and curves are inflated, giving the alphabet a puffy, sign-like presence. Spacing appears moderate with clear, open counters in letters like O, P, R, and e, while the shadow and interior cut details create a strong, graphic rhythm across words.

Best suited to short, bold statements such as headlines, posters, storefront-style signage, branding marks, and product packaging where the shadowed depth can carry the design. It can work for playful editorial callouts or event graphics, but the layered detailing is likely most effective at medium-to-large sizes rather than extended body text.

The overall tone is upbeat and nostalgic, evoking mid-century signage, comic title lettering, and playful packaging. The shadowed construction adds a dimensional, poster-like punch, making the face feel energetic and attention-seeking rather than formal or restrained.

The design appears intended to deliver a dimensional, attention-grabbing display look by combining a rounded, friendly skeleton with an inline cut and a consistent shadow offset. The goal is high impact and immediate personality, prioritizing graphic presence and retro charm over typographic neutrality.

The inner cut/inline treatment is consistent across uppercase, lowercase, and numerals, helping maintain cohesion at display sizes. The shadow offset is strong enough to be part of the letterform identity, which increases visual density in longer text and favors larger settings where the layered effect can be clearly read.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸