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Free for Commercial Use

Sans Normal Pugir 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Centuria' by Catopodis, 'Litmus' by Indian Type Foundry, 'JAF Bernini Sans' by Just Another Foundry, 'Contemporary Sans' by Ludwig Type, and 'NuOrder' by The Northern Block (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, stickers, playful, friendly, retro, chunky, bubbly, attention, approachability, retro charm, bold branding, playfulness, soft corners, rounded terminals, heavy black, cartoonish, compact.


Free for commercial use
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This typeface uses hefty, rounded strokes with softened corners and gently irregular curves that keep the silhouettes lively. Counters are small to moderate for the weight, with many letters showing slightly pinched or flattened interior spaces that enhance the chunky feel. The overall construction is geometric-leaning but not rigid, with a hand-shaped warmth in joins and bowls. Spacing appears on the tight side in text, creating dense, punchy word shapes, while figures and capitals maintain strong, blocky presence.

This font performs best in display contexts such as posters, big headlines, packaging, and bold brand marks where its chunky shapes can be appreciated. It also suits playful product labeling, event graphics, and short-form messaging where legibility is supported by larger sizes and ample spacing.

The font conveys a cheerful, approachable tone with a retro, cartoon-like confidence. Its heavy, soft-edged forms feel informal and inviting, making it well suited to energetic, personality-forward messaging rather than reserved or technical communication.

The design appears intended to provide a bold, friendly sans for attention-grabbing display typography, balancing geometric simplicity with softened, characterful shaping. It prioritizes immediacy and personality—creating dense, high-impact word shapes that read as fun and approachable.

The mix of smooth curves and subtly uneven detailing gives the design character without becoming distressed. Round glyphs (like O and 0) read as sturdy, while diagonals and junctions (like K, R, and X) keep a slightly sculpted, playful bounce. At smaller sizes, the heavy weight and tighter counters may reduce interior clarity, but at display sizes it delivers strong impact.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸