Inverted Okri 6 is a very bold, narrow, high contrast, upright, tall x-height font.
Keywords: posters, headlines, labels, stickers, logos, industrial, stencil-like, posterish, urban, playful, maximum impact, stencil effect, tile system, branding voice, boxed, condensed, geometric, cut-out, modular.
This is a heavy, condensed sans with each glyph rendered as a white cut-out inside a solid black rectangular tile. Letterforms are largely geometric and upright, with straight-sided verticals and compact counters that read as punched openings rather than traditional filled strokes. Many characters show deliberate edge nicks and chiseled notches that create an irregular, stencil-adjacent rhythm while keeping overall alignment and height consistent. The result is a strong, modular texture where the black tiles dominate and the interior shapes define the glyphs.
Best suited for headlines and display settings where strong contrast and a modular, boxed texture are desirable—posters, flyers, packaging labels, stickers, and logo/wordmark work that wants an industrial or stencil-flavored feel. It can also work for UI badges or signage-style callouts, especially when a high-impact, blocky rhythm is needed.
The font conveys a bold, industrial tone with a slightly scrappy, street-poster attitude. Its boxed tiles and cut-out forms feel utilitarian and assertive, while the small irregularities add a handcrafted, zine-like energy. Overall it reads loud, attention-grabbing, and graphic.
The design appears intended to merge condensed display capitals with an inverted, cut-out construction, prioritizing bold presence and a distinctive tiled silhouette over neutral readability. The notched edges and punched counters suggest an aim toward stencil and label aesthetics that stay visually consistent across mixed case and numerals.
Because each character sits in its own solid block, spacing and word color become very dark and segmented, producing a tiled, label-maker look. The condensed proportions help longer words stay compact, but the enclosed counters and frequent cut-ins suggest it will be most effective at larger sizes where the interior shapes stay clear.