Slab Contrasted Elpy 2 is a very bold, wide, medium contrast, italic, normal x-height font.
Keywords: posters, headlines, branding, sports, packaging, retro, sporty, punchy, playful, rugged, impact, retro display, sports energy, texture, attention, chunky, rounded, ink-trap, headline, high-impact.
A heavy, right-leaning slab-serif with broad proportions and tightly packed, chunky forms. Strokes show noticeable internal modulation and frequent notch-like cuts that read like ink traps or stencil breaks, especially where joins and terminals would otherwise fill in at this weight. The slab serifs are short and blocky, often integrated into the mass of the letter rather than extending delicately, while bowls and counters stay rounded and compact. Overall spacing feels sturdy and headline-oriented, with a consistent, muscular rhythm across capitals, lowercase, and numerals.
Best suited for large-scale display use such as posters, headlines, logos, sports graphics, and bold packaging where its mass and distinctive notches can read clearly. It can also work for short promotional lines and titles where you want a strong, dynamic texture, but it is less appropriate for long passages of small text.
The design projects a bold, energetic attitude with a distinctly retro, display-first flavor. Its slanted posture and carved-in notches give it a dynamic, sporty feel, while the chunky slabs add a rugged, workmanlike confidence. The result is attention-grabbing and playful without becoming whimsical.
The font appears designed to deliver maximum impact in display settings by combining a slab-serif backbone with a forward slant and deliberate cut-ins that maintain clarity at heavy weight while adding character. Its wide, blocky construction suggests an emphasis on strong shapes, quick recognition, and a memorable word-image.
The numerals and round letters (like O, Q, 8, 9) emphasize thick, oval counters, reinforcing the font’s strong silhouette. The repeated “cut” motif across many glyphs creates a distinctive texture in words, which becomes part of the overall voice at larger sizes.