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Free for Commercial Use

Solid Abzo 6 is a very bold, very narrow, medium contrast, upright, tall x-height font visually similar to 'Ikigai' and 'Sharp Grotesk Latin' by Monotype, 'PG Grotesque' by Paulo Goode, and 'TT Bluescreens' by TypeType (names referenced only for comparison).

Keywords: posters, headlines, signage, logos, packaging, poster, circus, western, playful, retro, attention, compact fit, vintage sign, graphic texture, headline impact, compressed, blocky, rounded corners, ink-trap notches, stencil-like.


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A tightly compressed, heavy display face with tall, vertical proportions and minimal interior counterspace. Strokes are mostly straight and monolinear, but corners are softened and terminals often end in squared caps or small stepped cut-ins that create a notched, stencil-like edge. Many letters rely on exterior shaping rather than open counters (notably in bowls and apertures), producing solid, pillar-like silhouettes and a strong vertical rhythm. The lowercase mirrors the uppercase with similarly narrow forms and compact joins, and the numerals follow the same dense, blocky construction for consistent color in text.

Best suited for large-size display work where its dense vertical rhythm can act as a strong graphic element—posters, headlines, storefront-style signage, and bold branding. It can also work for packaging or labels that benefit from a compact, high-impact wordmark, especially when set with generous tracking to improve clarity.

The overall tone is loud and theatrical, with a vintage showcard energy that feels playful and slightly quirky. Its solid, compressed shapes read as assertive and attention-grabbing, evoking signage and headline typography rather than quiet text settings.

The letterforms appear designed to maximize impact in a narrow footprint, prioritizing a striking silhouette and uniform dark color. The deliberate notches and simplified counters suggest an aim toward a novelty display look that echoes vintage sign painting and show typography.

The design emphasizes silhouette and texture over internal detail, so letter recognition depends on spacing and context at smaller sizes. The notched joins and stepped terminals add distinctive rhythm and help differentiate otherwise very solid forms in words and numbers.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸