Distressed Fisa 5 is a bold, very narrow, high contrast, upright, short x-height font.
Keywords: posters, album art, event promos, packaging, headlines, raw, handmade, grungy, expressive, edgy, handmade feel, print distress, high impact, dramatic tone, texture emphasis, brushy, ragged, inked, scratchy, compressed.
A condensed, brush-driven display face with sharp, tapering strokes and visibly irregular contours. Letterforms show a dry-brush texture with chipped edges, uneven ink density, and occasional streaking that suggests fast, pressured writing. Strokes alternate between thick swells and thin, hairline exits, producing a lively rhythm; terminals are frequently pointed or frayed rather than cleanly cut. Counters are compact and sometimes partially occluded by texture, and the overall spacing feels tight and energetic, emphasizing verticality.
Best used for display typography where texture is an asset: posters, flyers, music and entertainment graphics, edgy branding, packaging accents, and punchy headlines. It works well at medium to large sizes on simple backgrounds, where the distressed details can remain legible and intentional.
The font conveys a gritty, handmade attitude—part street-poster, part horror-comic—balancing playful motion with a slightly menacing edge. Its distressed brush texture reads as human and imperfect, lending immediacy and intensity to short messages.
The design appears intended to capture the look of bold brush lettering printed or scanned with imperfect ink coverage, prioritizing personality and urgency over neutrality. Its compressed proportions and rough texture are aimed at attention-grabbing titles and thematic graphics that benefit from a worn, handcrafted aesthetic.
Uppercase forms are tall and angular with pronounced stroke contrast, while lowercase maintains the same dry-brush character and compact proportions. Numerals follow the same ink-worn treatment, making them visually consistent in headlines but less suited to small, information-dense settings where clarity is critical.