Script Nulak 4 is a regular weight, narrow, medium contrast, italic, short x-height font.
Keywords: branding, packaging, invitations, social media, headlines, elegant, romantic, dynamic, personal, refined, handwritten elegance, signature feel, expressive display, friendly polish, calligraphic brush, brush-like, looping, slanted, lively, calligraphic.
A slanted, brush-script design with rounded joins and softly tapering stroke endings that suggest a pressure-driven tool. Letterforms mix smooth oval counters with quick, angular entry and exit strokes, creating a lively rhythm and forward motion. Capitals are larger and more expressive, often built from sweeping curves and compact internal loops, while lowercase forms stay relatively compact with tight apertures and modest ascenders/descenders. Numerals follow the same cursive logic, with curved terminals and a handwritten, slightly varied texture across the set.
Works well for short-to-medium text where a handwritten, upscale feel is desired—logos, boutique branding, packaging callouts, invitations, greeting cards, and promotional headlines. It is especially effective at larger sizes where the brush texture and looping capitals can be appreciated, and where its slanted rhythm can add momentum to titles and taglines.
The overall tone feels personal and polished—expressive like hand-lettering, yet controlled enough to read as intentional and stylish. Its energetic slant and looping forms add a romantic, celebratory character suited to warm, human messaging rather than strict neutrality.
The design appears intended to emulate confident brush calligraphy in a clean digital form, balancing expressive swashes and loops with consistent proportions for dependable readability. It aims to deliver a stylish signature-like presence for display typography while keeping word shapes cohesive in running phrases.
Connectivity appears intermittent: many letters can link smoothly in words, but the design also tolerates small breaks that reinforce a natural handwritten cadence. Stroke modulation is noticeable without becoming high-contrast, and the compact lowercase proportions give lines a neat, upward-leaning flow.