Sans Superellipse Widy 2 is a bold, very wide, monoline, upright, tall x-height font.
Keywords: branding, headlines, logotypes, user interfaces, game titles, futuristic, tech, industrial, sporty, sci‑fi, tech aesthetic, modernization, logo friendliness, interface tone, futurism, rounded corners, squarish bowls, soft terminals, geometric, compact counters.
A geometric display sans built from rounded-rectangle and superellipse-like forms, with smooth corners, straight-sided curves, and a consistent, even stroke. The design favors wide, low-contrast shapes and squared bowls (notably in C, D, O, and e), producing a clean, modular rhythm. Open apertures and simplified joins keep silhouettes crisp, while counters remain relatively compact, giving the face a dense, engineered texture at text sizes. Numerals echo the same softened-rectilinear construction, with streamlined, segmented curves that read like integrated UI components.
Best suited to display settings where its wide stance and rounded-rect geometry can define a strong visual identity—such as tech branding, product logos, esports and motorsport graphics, game or film titling, and UI/UX headings. It can work for short text blocks when generous spacing and size help preserve counter clarity.
The overall tone is sleek and synthetic, evoking contemporary interfaces, automotive or aerospace branding, and science-fiction titling. Its rounded geometry feels friendly and modern, while the squarish structure adds a purposeful, technical edge.
The font appears designed to translate superelliptic, rounded-rect forms into a cohesive alphabet that feels both modern and engineered, prioritizing bold silhouettes, clean repetition, and a distinctly technological voice for contemporary display typography.
The lowercase maintains a uniform, system-like consistency, with single-storey a and g and minimal stroke modulation throughout. Many characters end in softened horizontal cuts, reinforcing a cohesive “machined” feel, and the wide proportions create strong horizontal momentum in headlines and short phrases.