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Free for Commercial Use

Inline Ukra 2 is a regular weight, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, logos, packaging, magazine covers, art deco, glamour, dramatic, theatrical, editorial, decorative impact, vintage elegance, graphic contrast, brand signature, geometric, monoline, hairline, stencil-like, ornamental.


Free for commercial use
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A decorative display face built from ultra-thin, monoline outlines combined with selectively filled, wedge-like solids. Many glyphs use carved-in inline gaps and hollow counters that create a cutout effect, producing a crisp black/white interplay rather than continuous strokes. Geometry leans circular and vertical with sharp, triangular terminals, long ascenders/descenders, and frequent use of split stems and segmented bowls. Overall rhythm is airy and spaced, with a deliberately constructed, modular feel that prioritizes graphic patterning over uniform stroke continuity.

Best suited to display settings such as headlines, poster titling, logotypes, and packaging where its intricate inlines and cutout shapes can be appreciated. It also works well for magazine or event branding that benefits from a refined, dramatic tone and strong black/white contrast.

The font conveys a polished, stage-like elegance with a strong vintage-modern flavor. Its high-contrast cutouts and dramatic filled shapes read as luxe and slightly mysterious, evoking classic marquee and fashion-era styling while staying contemporary through its minimal linework.

The design appears intended as a high-impact decorative alphabet that blends hairline elegance with bold, carved geometry. By mixing open outlines with selectively solidified sections, it aims to create a memorable Art Deco–leaning texture and a distinctive silhouette in short strings of text.

Round letters (like C/O/Q) emphasize concentric rings and bisected interiors, while diagonals (V/W/X/Y/Z) become bold graphic wedges that add punch. Numerals mix streamlined curves with sharp angles, keeping the same inline-and-cutout logic for a cohesive set. The distinctive internal breaks and hairline construction can visually shimmer at small sizes, making scale an important part of its character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸