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Free for Commercial Use

Blackletter Igba 7 is a bold, normal width, medium contrast, upright, normal x-height font.

Keywords: posters, headlines, titles, branding, packaging, medieval, gothic, dramatic, ceremonial, authoritative, historical flavor, display impact, ornamental texture, dramatic tone, brand character, angular, faceted, chiseled, calligraphic, spiky.


Free for commercial use
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This typeface presents a blackletter-inspired, display-forward construction with faceted strokes, sharp terminals, and wedge-like joins that suggest a broad-nib or carved aesthetic. Letterforms are built from sturdy verticals and angled cuts, with pointed shoulders and notched intersections that create a crisp, segmented rhythm. Curves (as in C, O, and S) are rendered with angular modulation and sliced counters, producing a distinctive, gem-like interior texture. Proportions feel slightly irregular across glyphs, with expressive widths and prominent diagonals, reinforcing a hand-formed, ornamental look while maintaining consistent stroke weight and clear silhouette emphasis.

Best suited for short-form display settings such as posters, album or book titles, mastheads, and branding marks where its angular texture can read clearly. It can also work for packaging or event materials with historical, fantasy, or gothic themes, especially at larger sizes where the internal cuts and notches remain legible.

The overall tone is medieval and ceremonial, evoking manuscript lettering, heraldry, and dark romantic display traditions. Its sharp geometry and heavy presence read as dramatic and authoritative, suited to themes that lean historic, mythical, or gothic rather than neutral or contemporary.

The design intent appears to be a modernized blackletter display face that emphasizes sharp, carved facets and high-impact silhouettes. It aims to deliver historical flavor with a bold, graphic texture, prioritizing mood and presence over long-form readability.

Counters are often partially pinched or segmented by internal cuts, which adds texture but can reduce openness in smaller sizes. Numerals follow the same faceted logic, with strong diagonals and pointed terminals that keep the set cohesive with the capitals and lowercase. Spacing appears tuned for display impact, with dense black shapes and a pronounced rhythmic bite between strokes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸