Print Lulak 2 is a regular weight, very narrow, low contrast, upright, very short x-height font.
Keywords: headlines, posters, packaging, children’s, craft labels, casual, friendly, hand-drawn, quirky, lighthearted, handwritten feel, casual display, compact headlines, friendly tone, simple legibility, monoline, tall, condensed, airy, bouncy.
A tall, condensed hand-drawn print style with monoline strokes and softly rounded terminals. Letterforms feel sketch-like and organic, with slight irregularities in curve smoothness, stroke endings, and spacing that create a natural handwritten rhythm. Proportions are notably vertical, with slim bowls and narrow counters; ascenders are long and prominent while lowercase forms sit small relative to capitals. Numerals follow the same narrow, upright construction, with open shapes and simple, single-stroke logic.
Works well for short display lines such as posters, social graphics, packaging callouts, and playful branding where a handwritten print voice is desired. It also fits educational or children’s contexts, DIY/craft labeling, and casual signage. For longer text, slightly increased size and spacing can help maintain clarity given the narrow counters and tall proportions.
The overall tone is informal and personable, like quick neat handwriting used for labels or notes. Its narrow, tall silhouettes add a playful, slightly quirky energy while staying legible and uncomplicated. The minor inconsistencies reinforce a human, unpolished charm rather than a mechanical feel.
The design appears intended to mimic quick, neat hand lettering in an upright, condensed form—delivering a friendly, handmade presence without connected script complexity. Its consistent monoline stroke and simple constructions suggest a focus on approachable legibility and a casual, personal tone for display and labeling.
Capitals are especially towering and can dominate mixed-case settings, creating a headline-like cadence even at moderate sizes. Curves tend to be gently flattened or slightly asymmetric, and joins avoid calligraphic swelling, keeping the texture even and light. Word shapes read cleanly, but the tight internal spaces of some letters may benefit from modest tracking in dense layouts.