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Serif Normal Nylal 11 is a regular weight, normal width, high contrast, upright, normal x-height font visually similar to 'Moisette' by Nasir Udin (names referenced only for comparison).

Keywords: book text, editorial, magazines, headlines, pull quotes, classic, literary, formal, refined, readability, tradition, editorial voice, typographic polish, bracketed, sharp, crisp, calligraphic, oldstyle figures.


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A high-contrast serif with crisp, bracketed serifs and a pronounced thick–thin modulation. Capitals feel stately and slightly condensed in impression, with strong vertical stress and clean, sharply finished terminals. Lowercase forms show calligraphic influence in the joins and curves, with a compact rhythm and sturdy stems; descenders are fairly deep and the overall spacing reads even in text. Numerals appear to be oldstyle figures, with varied heights and some descending forms, matching the textlike, traditional character of the design.

Well suited to long-form reading such as books and literary publishing, where its traditional proportions and bracketed serifs support a familiar, comfortable texture. It also performs well in editorial contexts—magazines, essays, and cultural journalism—particularly for headings, subheads, and pull quotes where its contrast and crisp finishing can add emphasis without feeling ornamental.

The font conveys a traditional, bookish tone—confident and composed rather than decorative. Its sharp serifs and strong contrast add a sense of authority and refinement, suggesting a polished, established voice appropriate for serious reading environments.

The design appears intended as a conventional text serif that prioritizes a classic reading rhythm while adding refinement through strong contrast and sharply defined serifs. Its cohesive glyph construction and oldstyle-style numerals suggest an aim toward traditional typography for publishing and editorial systems.

In the text sample, the contrast and fine details remain clear at larger sizes, while the dense, classical rhythm gives paragraphs a compact, editorial texture. The ampersand and punctuation follow the same restrained, conventional styling, supporting a cohesive, historically minded look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸