Sans Superellipse Figem 2 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Faculty' by Device; 'Qubo' by Hoftype; 'Burlingame' by Monotype; 'Madiffure' by Ridtype; and 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, sporty, modern, assertive, dynamic, friendly, impact, motion, approachability, clarity, modernity, rounded, oblique, geometric, chunky, soft-edged.
A heavy, forward-leaning sans with rounded, superelliptical curves and smooth, low-contrast strokes. Letterforms feel broad and stable, with generous counters and softened corners that keep the weight from looking harsh. Curves (C, O, S, 0) read as rounded-rectangle geometry, while diagonals (A, K, V, W, X) are crisp and energetic. The lowercase is compact and sturdy, with single-storey a and g-like simplicity and a clear, circular i/j dot, giving a cohesive, contemporary rhythm in text.
Best suited for short-to-medium display settings where impact and clarity matter: headlines, posters, campaign graphics, product and packaging callouts, and brand marks that want a modern, energetic voice. The sturdy shapes and open counters also make it effective for prominent UI labels or signage-style messaging when set large.
The overall tone is confident and fast, combining athletic momentum from the slant with approachable warmth from the rounded shaping. It reads as contemporary and punchy rather than formal, with a friendly softness that suits upbeat branding and energetic messaging.
The design appears aimed at delivering a modern, energetic sans that feels fast and assertive while staying approachable. Rounded superellipse construction suggests an intention to combine geometric cleanliness with soft edges for friendly, contemporary display typography.
Numbers are wide and highly legible at display sizes, with consistent stroke thickness and open interior spaces. The italic angle is strong enough to signal motion, yet the shapes remain clean and controlled, avoiding calligraphic traits in favor of geometric construction.