Sans Superellipse Pygoh 4 is a regular weight, narrow, monoline, upright, normal x-height font visually similar to 'Gibstone' by Eko Bimantara, 'Neusa Neu' by Inhouse Type, 'Orecla' by Maulana Creative, 'Manifest' by Yasin Yalcin, and 'Althawra Fikra' by syria arabic (names referenced only for comparison).
Keywords: ui labels, signage, packaging, editorial, data display, clean, modern, neutral, technical, compact, space saving, system design, clarity, geometric tone, neutral branding, rounded corners, low contrast, closed apertures, tight spacing, geometric.
A compact sans with low-contrast, mostly monoline strokes and a tall, condensed stance. Curves are built from rounded-rectangle/superellipse shapes, producing squared-off bowls and corners that stay consistently softened rather than fully circular. Counters are relatively small and apertures tend to be closed, giving the texture a dark, efficient rhythm. Terminals are clean and blunt, and the overall construction favors straightforward geometry with minimal modulation.
Well-suited to interface labels, navigation, and compact headings where a narrow footprint helps conserve space. It can work for signage and packaging systems that need a clean, contemporary voice, and for charts or tabular contexts where consistent, no-nonsense shapes support quick scanning.
The tone is modern and matter-of-fact, with a slightly technical flavor from the squared curves and tight interior spaces. It reads as controlled and utilitarian rather than expressive, projecting clarity and discipline in a compact footprint.
The design appears intended to deliver a space-efficient, contemporary sans built from superelliptical geometry, balancing friendliness from rounded corners with the discipline of squared forms. Its consistent stroke behavior and restrained detailing suggest an emphasis on reliable everyday typography across short text and display use.
The numerals match the same rounded-rect geometry (notably the 0/8/9), and the uppercase forms maintain even widths and steady verticality. The lowercase shows simple, functional forms with single-storey shapes where expected and minimal ornament, keeping the overall color uniform in text.