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Free for Commercial Use

Sans Other Lyki 13 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Imago W1G' by Berthold, 'Swiss 721' by Bitstream, 'Bari Sans' by JCFonts, 'Founder Rounder' by Serebryakov, and 'Nuber' and 'Nuber Next' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, playful, retro, chunky, friendly, casual, impact, approachability, nostalgia, informality, rounded corners, soft terminals, blocky, compact counters, uneven rhythm.


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A heavy, blocky sans with softened, rounded corners and subtly irregular contours that give it a hand-cut, stamped feel. Strokes are thick and fairly uniform, with compact internal counters and generous outer silhouettes that stay readable at distance. The lowercase is sturdy and simplified, with single-story forms and short, sturdy arms/shoulders, while the numerals follow the same chunky geometry for a consistent texture. Overall spacing and letterfit create a dense, poster-like color, with small variations in widths and curves that add personality without turning into a script or display gimmick.

Best suited to headlines and short bursts of text where its chunky shapes can carry personality—posters, signage, packaging, and bold brand marks. It can work for subheads or callouts in editorial or digital layouts when paired with a calmer text face to balance its dense typographic color.

The font conveys an upbeat, approachable tone with a retro, sign-painting/print-shop energy. Its soft corners and chunky mass feel friendly and humorous, making it more expressive than a neutral sans while remaining straightforward and legible.

The letterforms appear designed to deliver maximum impact with a friendly, retro-leaning voice, using rounded corners and slightly irregular shaping to avoid a sterile geometric feel. The overall construction prioritizes bold presence and quick recognizability for display-driven typography.

The design relies on rounded rectangle logic and shallow joins, producing a slightly “puffed” silhouette. Large black areas and tight counters suggest it will perform best when given enough size or breathing room; at very small sizes, interior spaces may close up and the texture can become quite dark.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸