Sans Superellipse Jana 10 is a very bold, normal width, medium contrast, upright, tall x-height font.
Keywords: headlines, posters, logotypes, packaging, game titles, industrial, retro, bold, techno, arcade, impact, thematic display, retro futurism, industrial tone, brand presence, blocky, geometric, rounded corners, squared curves, compact spacing.
A heavy, geometric display sans built from squared-off curves and superellipse-like rounds. Strokes are broadly uniform with tight interior counters, producing dense black shapes and strong letter silhouettes. Terminals are mostly blunt with softened corners, and many forms use narrow vertical apertures or slit-like cut-ins that add a mechanical, stencil-adjacent flavor without breaking readability. The lowercase is robust with a tall x-height and compact bowls; the overall texture is rhythmic but intentionally chunky, with slightly varied widths across glyphs that keeps words from becoming monotonous.
Best suited to large-scale display work such as headlines, posters, title treatments, and branding where its chunky geometry and dense color can carry impact. It also fits packaging, sports or event graphics, and game/tech themed interfaces when used with ample size and spacing to preserve counter clarity.
The font projects a tough, assertive tone with a distinctly retro-industrial edge. Its rounded-rectangle construction feels both engineered and playful, evoking arcade headers, sci‑fi packaging, and mid-to-late 20th century display lettering. The dense weight and tight counters create a commanding, high-impact voice suited to attention-grabbing statements.
Likely designed as a high-impact display face that merges rounded-rectangle geometry with hard, industrial construction. The goal appears to be instant visual authority and a memorable, themed texture through tight apertures and squared curves that read as engineered rather than handwritten.
At text sizes the dark massing can close up in small counters and tight joins, while at larger sizes the distinctive slit details and squared curves become a primary stylistic feature. Numerals match the uppercase in heft and geometry, supporting bold, uniform headline set-ups.