Sans Faceted Ihja 6 is a very light, normal width, low contrast, upright, normal x-height, monospaced font.
Keywords: ui labels, data display, headlines, posters, branding, technical, futuristic, minimal, schematic, precise, grid logic, digital aesthetic, constructed geometry, systematic consistency, geometric, angular, chamfered, wireframe, modular.
A geometric, monolinear design built from straight segments and chamfered corners, substituting facets for true curves. Strokes maintain a consistent, very light weight with squared terminals and frequent right angles, producing a clean, modular rhythm. Counters are largely rectangular or polygonal (notably in C/G/O/0), and diagonals appear sparingly but decisively in forms like A, K, V, W, X, and Y. Numerals follow the same constructed logic, with boxy bowls and clipped corners that keep spacing and alignment uniform across the set.
Works well for interface labels, dashboards, and technical or product-oriented graphics where uniform character width and crisp geometry aid alignment. It also suits short headlines, posters, and wordmarks that benefit from an architectural, faceted look; for extended text, its very light construction suggests using comfortable sizes and ample spacing.
The overall tone is cool and engineered, evoking instrumentation, drafting marks, and sci‑fi interface typography. Its faceted geometry reads as contemporary and slightly retro-digital, with an intentional “drawn on a grid” discipline that feels orderly and precise.
The design appears aimed at a structured, grid-based aesthetic that prioritizes consistency and a constructed, planar feel over organic curves. It emphasizes clarity through uniform strokes and predictable geometry while adding personality via chamfered corners and polygonal counters.
Distinctive cues include a polygonal, open C and G, squared O/0 forms, and simplified, linear lowercase shapes that maintain a consistent mechanical cadence. The light stroke and angular joins give it a delicate, technical presence, especially at larger sizes where the facets are most apparent.