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Free for Commercial Use

Blackletter Abpo 7 is a regular weight, narrow, very high contrast, upright, short x-height font.

Keywords: headlines, logotypes, posters, certificates, book covers, gothic, historic, ecclesiastical, regal, dramatic, historical evocation, formal emphasis, decorative caps, ceremonial tone, display impact, ornate, angular, broken strokes, calligraphic, flourished.


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A tightly set blackletter with a compact overall footprint, steep vertical emphasis, and crisp broken strokes that alternate between hairline thins and dense, blade-like thicks. The capitals are highly ornamented, showing pronounced swashes, internal splits, and sharp terminals, while the lowercase maintains a disciplined rhythm of narrow verticals with occasional curved entry strokes. Counters are small and often pinched, with frequent joins and pointed arches that create a textured, woven color in words. Numerals follow the same high-contrast, calligraphic logic, with slender diagonals and tapering terminals.

Best suited for display typography such as headlines, mastheads, logotypes, and poster titles where the ornate blackletter character can be appreciated. It also fits ceremonial or institutional applications like certificates, invitations, and historically themed book covers, and works well for short phrases, initials, and titling rather than extended body text.

The font conveys a formal, old-world tone associated with manuscripts, heraldry, and ceremonial print. Its sharp rhythm and decorative capitals feel authoritative and traditional, with a slightly theatrical edge that reads as antique and prestigious rather than casual.

The design appears intended to evoke a traditional blackletter voice with strong calligraphic contrast and decorative, identity-forward capitals. It prioritizes historical flavor, hierarchy, and visual texture in words over neutral readability, making it a purposeful choice for branding and themed display settings.

Legibility is strongest at display sizes where the hairline detailing and interior splits can hold up; at smaller sizes the dense vertical texture and narrow counters may close in. Capital forms are especially expressive and can dominate a line, creating pronounced hierarchy when mixed with the more restrained lowercase.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸