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Sans Other Nyna 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Manufaktur' by Great Scott (names referenced only for comparison).

Keywords: logos, headlines, posters, game ui, sports branding, techno, arcade, sci-fi, industrial, aggressive, futuristic display, arcade aesthetic, machine-like clarity, high impact, octagonal, angular, stencil-like, squared, geometric.


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A heavy, geometric sans with squared proportions and frequent 45° corner cuts that create an octagonal silhouette. Strokes are consistently thick and straight, with tight counters and rectangular apertures; bowls and rounds are largely suppressed in favor of blocky construction. Many joins and terminals are sharply notched or chamfered, producing a crisp, machined rhythm, while a few glyphs introduce cut-in corners that read almost stencil-like. Overall spacing feels compact and modular, with strong verticals and stable baselines that keep word shapes dense and uniform.

Best suited for high-impact display work such as logos, titles, posters, and packaging where the angular geometry can read large and punchy. It also fits game UI, sci-fi or cyber-themed graphics, and sports or industrial branding that benefits from a tough, engineered tone.

The design projects a distinctly digital, arcade-era energy—confident, hard-edged, and mechanical. Its angular cuts and compact interiors evoke sci-fi interfaces, industrial labeling, and game UI typography, giving it a bold, assertive presence even in short phrases.

Likely intended as a bold display face that translates pixel/arcade and techno-industrial cues into clean vector forms. The repeated chamfers, squared counters, and compact word shapes suggest a focus on creating an instantly recognizable, high-energy look for branding and interface-style typography.

The font’s personality is driven by repeated corner treatments and internal cutouts, which create a consistent “pixel-chamfer” motif across caps, lowercase, and figures. The dense counters and squared forms increase impact but can reduce clarity at small sizes, especially in interior-heavy glyphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸