Sans Superellipse Harit 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Havard' by Adam Fathony, 'Sicret' by Mans Greback, and 'Core Mellow' by S-Core (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, playful, retro, friendly, bold, techy, impact, approachability, geometric order, retro modernism, logo use, rounded, blocky, soft-cornered, geometric, compact.
A heavy, monoline sans with rounded-rectangle construction and consistently softened corners. Curves read as superelliptical, while straights terminate in blunt, squared ends, producing a sturdy, compact silhouette. Counters are relatively tight and often squarish (notably in O/0 and B/8), and curves transition into verticals with smooth, even joins. Overall proportions feel slightly condensed with a strong, even color and minimal stroke modulation, emphasizing clean geometry over calligraphic detail.
Best suited to headlines and short-form display settings where its dense, rounded geometry can read confidently and set a strong tone. It works well for branding, packaging, posters, and signage that benefit from a bold, friendly, slightly retro-tech voice. For longer text, it will likely be most comfortable at larger sizes due to its compact counters and strong overall weight.
The tone is friendly and playful, with a clear retro-futurist flavor driven by its rounded-block geometry. It feels approachable and cheerful while still reading as structured and technical, making it suitable for designs that want warmth without losing a crisp, engineered look.
The design appears intended to deliver a highly legible, geometric sans with softened corners—combining the sturdiness of block forms with the warmth of rounded terminals. Its consistent stroke and squarish counters suggest an emphasis on uniformity and punchy display performance.
Distinctive details include squared bowls and apertures with softened corners, a compact shoulder treatment in letters like n/m, and a prominent, graphic presence in numerals. The lowercase maintains clear, simple forms (single-storey a; straightforward g) that prioritize shape consistency and rhythm at display sizes.