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Free for Commercial Use

Solid Lyte 13 is a very bold, narrow, medium contrast, reverse italic, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok (names referenced only for comparison).

Keywords: posters, headlines, stickers, merch, packaging, playful, goofy, cartoony, cheeky, rowdy, humor, impact, informality, attention, character, blobby, chunky, rounded, organic, wobbly.


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A heavy, blob-like display face with rounded, irregular contours and a lopsided forward slant. Strokes swell and pinch unevenly, producing a soft, rubbery silhouette with frequent notches and small bulges rather than clean joins. Counters are largely collapsed, so many letters read as solid shapes with only occasional small openings, emphasizing silhouette recognition over internal detail. Overall spacing feels tight and the rhythm is intentionally uneven, with slightly varying widths and a hand-formed look.

Best suited for short, high-impact text such as posters, splashy headlines, stickers, and playful branding moments. It can work well on packaging or merch where a chunky, humorous wordmark is desired. For readability, it’s most effective at large sizes with generous line spacing and limited copy length.

The font conveys a mischievous, cartoonish energy—like inflated cutouts or messy marker blobs. Its irregularity feels casual and humorous, leaning more toward expressive personality than typographic neutrality. The solid, inky massing gives it a bold, attention-grabbing tone suited to playful or slightly chaotic messaging.

Likely designed as a bold, comedic display option that prioritizes silhouette and attitude over conventional letter structure. The collapsed counters and wobbly, inflated forms suggest an intention to create a solid, inked presence that feels hand-shaped and intentionally imperfect.

Uppercase and lowercase share a consistent soft, blunted geometry, and the figures match the same swollen, organic construction. Because many interior spaces are closed, similar silhouettes can blur together at smaller sizes; it performs best when given room and used where impact matters more than fine differentiation.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸