Sans Other Pyba 7 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Logx 10' by Fontsphere, 'HS Hope S' by Hiba Studio, 'First Prize' by Letterhead Studio-VG, 'MC Syntak' by Maulana Creative, and 'Stallman Round' by Par Défaut (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, industrial, techno, arcade, brutalist, authoritative, impact, display, tech feel, retro digital, signage, square, condensed, modular, blocky, angular.
This typeface is built from rigid, rectilinear strokes with a strongly squared silhouette and consistently flat terminals. Counters are tight and often rectangular, with many forms constructed from straight segments and sharp interior corners rather than curves. The rhythm is compact and vertical, producing a dense texture in text, while occasional notches and stepped joins add a distinctly mechanical, cut-out feel. Figures and capitals share the same sturdy, geometric logic, giving headings a uniform, monolithic presence.
Best suited to titles, posters, branding marks, and short emphatic statements where its compact, blocky structure can deliver impact. It also fits interface or in-game graphics, signage-style labels, and packaging that benefits from a tough, mechanical voice. For longer reading, larger sizes and careful tracking will help maintain clarity.
The overall tone feels industrial and machine-made, with a retro-digital edge reminiscent of arcade or display lettering. Its heavy, squared forms read as assertive and utilitarian, projecting strength and control rather than softness or elegance. The angular detailing adds a slightly aggressive, engineered character that leans toward sci‑fi and gaming aesthetics.
The design appears intended as a high-impact display sans with a modular, engineered construction. By prioritizing squared geometry, tight counters, and sharp joins, it aims to evoke technical, industrial, and retro-digital cues while maintaining a consistent, uniform texture across caps, lowercase, and numerals.
Distinctive stepped corners and small internal cut-ins provide character and help differentiate similarly shaped glyphs in a highly geometric system. The dense black footprint and tight apertures make it most convincing when given generous size and spacing, where the angular construction can be appreciated without filling in.