Sans Superellipse Apri 2 is a light, wide, monoline, upright, normal x-height font.
Keywords: ui design, app screens, dashboards, wayfinding, product branding, futuristic, technical, clean, minimal, sleek, modernization, system design, digital ui, clarity, geometric cohesion, geometric, rounded, modular, soft-cornered, streamlined.
A clean geometric sans built from rounded-rectangle and superelliptic forms, with consistently softened corners and smooth curves. Strokes are even and open, producing a crisp, high-contrast silhouette against the white space without any flare or calligraphic modulation. Counters tend toward squarish-rounded shapes (notably in O, D, and 0/8), and joins are handled with gentle radii that keep the texture calm and uniform. Proportions emphasize horizontal breadth, with compact curves and straight terminals that reinforce a precise, engineered rhythm in text.
This face is well suited to UI and product contexts where clarity and a contemporary tone are needed, such as app interfaces, dashboards, and tech branding. Its rounded geometry also works well for signage and wayfinding systems that benefit from clean forms and consistent lettershape logic. For longer text, it will feel most at home in modern editorial layouts or documentation where a cool, minimal texture is desired.
The overall tone is modern and tech-forward, balancing precision with a friendly softness from the rounded geometry. It reads as controlled and contemporary rather than expressive, giving a neutral, utilitarian voice suited to interfaces and systems. The softened corners prevent it from feeling harsh, lending a slightly approachable, product-design feel.
The design appears intended to provide a modern geometric voice rooted in superelliptic construction, translating rounded-rectangle shapes into a coherent alphabet for digital-first use. It aims for a systematic, engineered consistency across capitals, lowercase, and numerals while maintaining enough softness to remain approachable in branding and interface settings.
Round letters (O, Q, 0, 8, 9) share a consistent squircle-like construction, and many terminals resolve as flat cuts rather than tapered endings. The numerals mirror the same geometry, with the 2 and 3 showing open, horizontal-ended forms that match the type’s modular logic.