Sans Superellipse Idmit 9 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Rhode' by Font Bureau, 'CF Blast Gothic' by Fonts.GR, 'MNSTR' by Gaslight, 'DIN Next' and 'DIN Next Paneuropean' by Monotype, 'Otoiwo Grotesk' by Pepper Type, and 'Herd' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, assertive, playful, retro, industrial, sporty, high impact, brand voice, poster display, geometric utility, blocky, rounded corners, compact, friendly.
A heavy, block-built sans with rounded-rectangle construction and softly radiused corners throughout. Counters are compact and often squarish, producing sturdy silhouettes and a tight internal rhythm. Terminals are flat and blunt, and curves are simplified into superellipse-like bowls (notably in C, O, S, and numerals), balancing geometric regularity with a slightly compressed, punchy feel. Noticeable ink-trap-like notches and wedge cut-ins appear at some joins and diagonals, adding crisp separation in dense forms and reinforcing a utilitarian, sign-painting solidity.
Best suited for display settings where maximum impact is needed: headlines, posters, event graphics, and bold brand marks. The rounded geometry and tight counters also work well for packaging, labels, and athletic/industrial-inspired identities where a sturdy, friendly bold sans is desired.
The overall tone is bold and confident with a friendly, toy-like geometry. Its chunky shapes read as energetic and attention-grabbing, giving a retro athletic and industrial poster vibe without becoming sharp or aggressive.
The design appears intended to deliver high-impact readability with a geometric, rounded-rectangle voice, using compact counters and occasional notch-like cut-ins to keep heavy shapes from clogging. It aims for a distinctive, poster-ready presence that stays approachable through softened corners and simplified curves.
Uppercase forms feel particularly compact and monumental, while lowercase maintains the same squared, rounded logic with short extenders and sturdy bowls. Numerals are large and simplified, matching the headline-forward personality and preserving consistency across the set.