Sans Superellipse Asget 3 is a very light, narrow, low contrast, upright, tall x-height font.
Keywords: headlines, branding, editorial, posters, packaging, refined, modern, quiet, clean, precise, clarity, neutrality, economy, modernity, space, monoline, geometric, rounded, minimal.
The design uses slender monoline strokes with softened, rounded-rectangle curves that keep counters open and smooth. Proportions are vertically stretched, with compact widths and generous internal whitespace that lend a crisp, architectural rhythm in lines of text. Terminals are mostly clean and unembellished, and round letters read more like squarish ovals than perfect circles, reinforcing the controlled, geometric feel. Figures follow the same light, streamlined construction, matching the letters without adding extra contrast or ornament.
It works well for editorial headlines, fashion or culture branding, and UI/UX typography where a light, modern tone is desired. The compact rhythm can be effective in posters, packaging, and identity systems that benefit from vertical elegance and clean geometry. It is especially suited to short-to-medium text settings, pull quotes, captions, and refined logotypes where the delicate strokes can be preserved.
This typeface feels airy, quiet, and refined, with a subtle modernist calm. Its restraint and delicate presence suggest a thoughtful, contemporary tone rather than something loud or expressive. The overall mood is clean and slightly elegant, suited to work that wants to appear precise and composed.
The letterforms appear designed to provide a minimal, contemporary sans voice with a distinctive superellipse geometry and a light visual footprint. The consistent stroke weight and restrained terminals prioritize an even texture and an unobtrusive reading experience, while the tall proportions help maintain presence at display sizes.
The sample text shows a consistent, even color across words with smooth curves in bowls and rounded corners that read as controlled rather than playful. Ascenders and capitals feel notably tall, giving lines a vertical, gallery-like presence, while punctuation and numerals keep the same understated, linear construction.