Cursive Kity 2 is a regular weight, very narrow, high contrast, italic, very short x-height font.
Keywords: branding, logotypes, wedding, invitations, headlines, elegant, romantic, fashion, personal, refined, signature feel, expressive display, decorative capitals, stylish handwriting, swashy, calligraphic, looping, airy, fluid.
A flowing script with pronounced rightward slant and calligraphic stroke modulation. Letterforms are built from long, tapering entry and exit strokes, with frequent loops and occasional swash-like extensions that create an airy, linear silhouette. The rhythm is lively and handwritten, with visibly varied stroke width and delicate hairlines contrasted against darker downstrokes. Spacing feels open and irregular in a natural way, and many capitals take on elongated forms that stand taller than the lowercase, emphasizing a graceful vertical sweep.
Best suited for short, prominent text such as logos, boutique branding, invitations, greeting cards, and editorial or social headlines where the sweeping capitals can shine. It also works well for pull quotes and product names when used at moderate-to-large sizes with generous line spacing to accommodate the extended strokes.
The font reads as intimate and stylish, blending a handwritten spontaneity with a polished, dressy finish. Its looping forms and sharp terminals evoke a romantic, signature-like tone suited to expressive, personal communication rather than utilitarian text.
The design appears intended to mimic confident, fast calligraphic handwriting—capturing the energy of a personal signature while retaining enough consistency for repeatable display use. Emphasis is placed on expressive capitals, stroke contrast, and elegant connective motion to create a refined, upscale script impression.
Capitals are notably ornamental and attention-grabbing, while the lowercase stays comparatively compact, producing a strong hierarchy in mixed-case settings. Numerals follow the same slanted, handwritten logic and appear designed for occasional use in display contexts rather than dense tables.