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Free for Commercial Use

Distressed Ekry 1 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'AG Royal' by Berthold, 'Frygia' by Stawix, 'Mundial Narrow' by TipoType, 'LFT Etica' by TypeTogether, 'TT Commons™️ Pro' and 'TT Norms Pro' by TypeType, 'Aquawax Fx' by Zetafonts, and 'Artico Soft' by cretype (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, merchandise, playful, rugged, retro, handmade, loud, add texture, feel handmade, evoke vintage, grab attention, signal informality, chunky, rounded, blunt, stamped, speckled.


Free for commercial use
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A chunky, rounded display face with heavy, blunt terminals and softly squared curves. Letterforms are compact with broad counters and simplified geometry, creating a strong, poster-like silhouette. The outlines are intentionally uneven and slightly wobbly, while a speckled, worn texture appears throughout the strokes, producing a printed-and-weathered look. Spacing feels open and friendly, with consistent weight and a steady baseline that keeps the roughness controlled.

Well-suited for attention-grabbing headlines, posters, and bold callouts where texture can contribute character. It also fits packaging, labels, stickers, and merchandise graphics that want a casual, handmade sensibility. Use larger sizes and simple layouts to preserve the distressed detail and keep readability high.

The overall tone is playful and approachable, with a rugged, vintage edge. Its worn texture and soft, bouncy shapes evoke hand-printed ephemera and casual signage, giving text a lively, informal voice that still reads confidently at large sizes.

This font appears designed to deliver maximum impact with friendly, rounded shapes while adding a deliberately worn print texture for instant character. The goal seems to be a bold display voice that feels hand-made and slightly retro, appropriate for expressive branding and graphic applications rather than long-form reading.

The distressed pattern is integrated into the glyphs rather than limited to edges, so the texture remains visible across large and small counters. Rounded forms like O, Q, and 0 stay strongly legible, while the irregularity adds a tactile, analog feel best appreciated when given enough size and contrast.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸