Print Saril 6 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Grupi Sans' by Dikas Studio, 'Otter' by Hemphill Type, and 'MVB Diazo' by MVB (names referenced only for comparison).
Keywords: kids branding, posters, packaging, stickers, headlines, playful, chunky, friendly, quirky, bubbly, fun display, friendly impact, handmade charm, bold legibility, rounded, soft, cartoony, blobby, irregular.
A heavy, rounded display face with soft, swollen contours and subtly irregular edges that suggest hand-shaped ink or marker forms. Strokes are thick and compact with occasional pinched joins and small spur-like bumps, giving letters a slightly blobby silhouette rather than clean geometric curves. Counters are generally small and rounded, terminals tend to be bulbous, and overall spacing feels open enough for the weight, creating a lively, uneven rhythm across words. Uppercase and lowercase share the same robust, puffy construction, with simple, highly legible numeral forms that match the playful massing.
Well-suited for playful headlines, kids-oriented branding, snack or novelty packaging, party invitations, craft projects, and bold social graphics where a friendly, hand-made tone is desired. It also works well for short callouts, labels, and merchandise designs that benefit from chunky, high-impact letterforms.
The font reads as cheerful and informal, with a cartoon-like warmth that feels approachable and a little mischievous. Its imperfect, hand-drawn character adds personality and movement, making it feel more like friendly signage than formal typography.
The design appears intended to deliver maximum visual impact with a warm, hand-drawn charm—prioritizing personality and readability over precision. Its rounded, inflated forms suggest an aim toward fun, approachable display typography for informal contexts.
The texture and contour variation are consistent enough to feel intentional, while still maintaining a hand-made wobble. Because of the dense strokes and tight counters, it performs best when given comfortable point sizes and some breathing room in tracking and line spacing.