Sans Superellipse Fodaf 2 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Siro' by Dharma Type, 'Innova' by Durotype, 'Futo Sans' by HB Font, 'Famiar' by Mans Greback, 'Tenorite' by Microsoft Corporation, 'Objet' by Pascal Tarris, 'Hackman' by The Northern Block, and 'Kongress' by Tipo Pèpel (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, app promos, sporty, assertive, dynamic, modern, playful, impact, motion, approachability, modern branding, display emphasis, rounded, oblique, chunky, compact, soft-cornered.
A heavy, oblique sans with broad proportions and generously rounded corners. The letterforms lean forward with a stable, monoline feel and a slightly compressed counter rhythm that keeps shapes dense and punchy. Curves resolve into soft, squared-off terminals, giving rounds a superelliptical character rather than perfect circles. Numerals are similarly robust and simplified, designed to hold up at display sizes with clear silhouettes.
Best suited to headlines, posters, and large-format messaging where bold presence and quick recognition matter. It works well for sports or fitness branding, energetic campaigns, product packaging, and promotional UI moments where a forward, modern voice is needed. In longer copy it remains legible but naturally draws attention as a display face.
The overall tone is energetic and extroverted, projecting speed and confidence through its forward slant and blocky mass. Rounded geometry keeps it friendly and approachable, preventing the weight from feeling harsh. It reads as contemporary and action-oriented, with a subtle playful edge.
The design appears intended to combine high-impact weight with softened, rounded geometry, creating a fast, contemporary display sans that feels both tough and approachable. The oblique stance reinforces a sense of motion, making it well matched to branding that aims to feel active and confident.
Wide capitals and sturdy bowls create a strong horizontal presence, while the italic construction adds motion across lines of text. The dense spacing and thick strokes suggest the design is optimized for impact rather than delicate typographic nuance, especially in longer passages.