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Solid Umka 3 is a very bold, normal width, medium contrast, upright, normal x-height font.

Keywords: logos, posters, headlines, packaging, game ui, industrial, game-like, techno, aggressive, retro, impact, distinctiveness, futurism, ruggedness, signage, stencil-like, chamfered, geometric, blocky, compact.


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A heavy, block-constructed display face built from rectilinear forms with frequent chamfered and notched corners. Many counters are reduced to small cut-ins or fully closed, producing dense silhouettes and a strong black-on-white presence. Strokes are mostly monolinear with abrupt joins, squared terminals, and occasional stepped details that create a mechanical rhythm. Proportions feel compact and slightly irregular across glyphs, with angular diagonals and simplified curves that read as faceted polygons rather than smooth rounds.

Best suited for short, high-impact settings such as logos, titles, posters, and packaging where its dense shapes and angular cut-ins can be appreciated at larger sizes. It can also work for game or tech-themed interfaces and badges, especially where a coded or industrial flavor is desired. For extended reading or small sizes, its collapsed counters may reduce clarity, so pairing with a simpler text face is advisable.

The overall tone is assertive and mechanical, with a rugged, utilitarian edge. Its closed interiors and hard angles give it a cryptic, coded feel that suggests industrial labeling, arcade graphics, or sci-fi interfaces. The texture is bold and attention-grabbing, leaning more toward attitude and impact than refinement.

The design appears intended to deliver maximum visual weight with a distinctive, engineered character. By collapsing counters and emphasizing chamfered geometry, it aims to feel custom, tough, and graphic—optimized for display use where uniqueness and punch matter more than conventional legibility.

Because many interior openings are minimized, differentiation relies on exterior silhouettes and corner cut patterns, which increases visual density in longer text. Spacing appears tight and the shapes are intentionally idiosyncratic, reinforcing a custom, constructed look rather than a conventional typographic system.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸