Slab Contrasted Kary 10 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Miura Slab' by DSType, 'DXEgyptian Fett' by DXTypefoundry, 'Rama Slab' by Dharma Type, 'Denso Serif' by Monotype, 'Lehmann Egyptian' by ParaType, 'Ganges Slab' by ROHH, and 'Gravtrac' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, mastheads, industrial, western, assertive, vintage, poster, space-saving impact, signage clarity, retro display, condensed, blocky, slab-serif, bracketless, heavy serifs.
A condensed slab-serif with heavy, block-like terminals and a tightly packed footprint. Strokes are predominantly straight and vertical, with minimal curvature and a generally even weight distribution that keeps counters compact. Serifs read as sturdy rectangular slabs with little to no bracketing, giving letters a stamped, mechanical feel. The lowercase is tall and robust with short ascenders/descenders relative to its height, and the numerals follow the same compressed, heavyweight rhythm for strong lining consistency.
Best suited to display settings where space is limited but impact is needed—headlines, posters, packaging labels, and storefront or wayfinding signage. The compact width helps fit long words into narrow columns, while the heavy slabs hold up well in high-contrast printing and bold branding applications.
The overall tone is bold and workmanlike, evoking industrial signage and classic display typography. Its narrow, forceful rhythm and squared-off serifs suggest a no-nonsense, utilitarian voice with a slight vintage and frontier-poster edge.
The design appears intended to deliver maximum punch in a compressed width, combining strong slab serifs with a tall lowercase to maintain legibility and presence. Its geometry and dense texture suggest a focus on attention-grabbing editorial and advertising typography rather than quiet body text.
In text, the condensed proportions create a dense color and strong vertical cadence, which can make long lines feel intense but highly emphatic. Round letters like O/C are noticeably tightened, while squared joins and flat terminals keep the design crisp and authoritative at larger sizes.