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Sans Normal Nylif 14 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'FF Nort' by FontFont, 'Ghino' by Fontmachine, 'Pragmatus' by Graphite, 'Almarose' by S&C Type, 'Mister London' and 'Point Panther' by Sarid Ezra, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, playful, chunky, confident, retro, impact, approachability, display, simplicity, warmth, rounded, soft terminals, compact, bubble-like, heavy.


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This typeface uses very heavy, rounded strokes with softly curved joins and minimal modulation, creating a dense, compact texture. Counters are generally small and rounded, and many forms lean on near-circular geometry (notably in O, 0, and lowercase bowls), while straight-sided letters like E, F, and H remain blocky but with softened corners. The lowercase is sturdy and simplified, with a single-storey a and g, a broad-shouldered n/m, and an e with a small, closed aperture. Numerals are equally weighty and rounded, with a notably bulbous 8 and an open, curved 2/3 that maintain the same heavy rhythm as the letters.

This font is well suited to headlines, posters, and short bursts of copy where maximum impact and a friendly tone are desired. It can work effectively in branding and packaging, especially for products or identities aiming for a rounded, approachable feel, and it is strong for signage where bold shapes need to read quickly at a glance.

The overall tone is warm and approachable, with a cartoonish, upbeat presence that reads as friendly rather than severe. Its chunky silhouettes and rounded construction give it a retro-display flavor and a confident, attention-grabbing voice suited to energetic messaging.

The design appears intended as a high-impact rounded sans for display use, combining geometric simplicity with softened edges to keep the tone approachable. Its consistent heavy strokes and compact counters suggest a focus on strong visual presence and playful clarity in larger sizes.

At text sizes the heavy weight and tight internal spacing can cause counters and apertures to fill in visually, so it performs best when given generous size or comfortable tracking. In the sample paragraph it creates a strong, uniform color and an intentionally bold personality that prioritizes impact over delicacy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸