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Free for Commercial Use

Sans Normal Afbab 21 is a regular weight, wide, low contrast, italic, normal x-height font visually similar to 'BR Segma' by Brink, 'Aribau Grotesk' by Emtype Foundry, 'Poligon' by Halbfett, 'Halcom' by The Northern Block, and 'Glot' and 'Glot Round' by Wordshape (names referenced only for comparison).

Keywords: branding, ui, headlines, posters, packaging, clean, modern, friendly, energetic, approachable, modern utility, friendly branding, italic emphasis, clear readability, geometric style, rounded, geometric, oblique, open apertures, soft terminals.


Free for commercial use
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A rounded, geometric sans with an italic (oblique) stance and steady, low-contrast strokes. Curves are built from smooth circular/elliptical forms, with open counters and generous interior space that keeps letters from feeling cramped. Terminals read as clean and slightly softened rather than sharp, and the overall construction favors simple, consistent geometry across capitals, lowercase, and figures. Spacing and rhythm feel even and contemporary, with a broad, easy-going footprint that supports clear word shapes.

Works well for branding and identity systems that want a contemporary, friendly voice, especially in headlines and subheads where the slant adds momentum. It also suits UI and product surfaces when a modern, approachable italic is needed for emphasis, labels, or callouts. The clean geometry and open shapes make it a solid option for posters and packaging where quick recognition matters.

The tone is modern and approachable, combining a straightforward sans structure with a lively forward slant. Its rounded geometry gives it a friendly, informal edge while still reading as polished and professional. The overall impression is energetic but not loud, making it suitable for communication that aims to feel accessible and current.

The design appears intended as a versatile geometric sans italic that balances crisp modernity with softened, rounded forms. It aims to deliver clear, familiar letterforms with a bit of motion and personality, fitting both expressive display settings and everyday editorial emphasis.

In the sample text, the italic angle is consistent across sizes and maintains clarity in dense paragraphs. Round characters like O/C/e remain open and stable, and the figures appear straightforward and readable, matching the same smooth, geometric logic as the letters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸