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Serif Other Viwe 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Neilvard' by Arterfak Project, 'Agora' by Berthold, 'OL Signpainter Titling' by Dennis Ortiz-Lopez, 'Hoektand' by Frantic Disorder, 'Memo' by Monotype, and 'Lovato' by Philatype (names referenced only for comparison).

Keywords: headlines, posters, packaging, book covers, branding, retro, storybook, friendly, rustic, playful, display impact, vintage flavor, approachable tone, print poster feel, bracketed, bulbous, soft-edged, wedge-like, ink-trap hints.


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This is a heavy, black serif with soft, rounded contours and strongly bracketed, wedge-like terminals. Strokes are robust and even, with subtle swelling and gentle curvature that keeps counters open despite the weight. Serifs feel carved rather than sharp, often widening into teardrop-like ends, and joins show slight notch/ink-trap behavior in tight interior corners. Proportions are compact with a steady baseline rhythm, and letterforms lean on broad shoulders and sturdy stems for a dense, poster-ready texture.

Best suited to headlines, cover lines, and short-to-medium display text where its dense color and distinctive serifs can carry personality. It can work well for packaging, heritage-style branding, and editorial titles that want a vintage or storybook atmosphere; for long-form body copy, it will be most comfortable at larger sizes with generous spacing.

The overall tone is warm and nostalgic, with a handcrafted, old-time flavor that reads as approachable rather than formal. Its chunky serifs and softened edges suggest vintage print, folkloric titles, and playful editorial voice, giving text a friendly, slightly mischievous character.

The design appears intended to deliver a bold, characterful serif for display typography, combining strong readability with a deliberately vintage, handcrafted impression. Its softened wedges and bracketed serifs aim to evoke traditional print while staying friendly and contemporary enough for branding.

Lowercase forms maintain clear differentiation at bold sizes, and the numerals match the same rounded, wedge-terminal construction for cohesive display settings. The texture is intentionally irregular in a controlled way—more "carved/printed" than strictly geometric—helping it feel decorative without becoming hard to read in short passages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸