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Free for Commercial Use

Sans Superellipse Maroh 2 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Bamboly', 'Bamboly Pixel', and 'Bamboly Rounded' by Craft Supply Co; 'Kitchakan' and 'Kitchakan Mon' by Jipatype; and 'Sugo Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, stickers, playful, retro, bouncy, friendly, punchy, attention, fun, motion, branding, impact, rounded, soft corners, compact, chunky, slanted.


Free for commercial use
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A heavy, compact sans with strongly rounded, superellipse-like outlines and soft terminals throughout. The letterforms are set on a consistent rightward slant, with broad strokes, minimal contrast, and tight interior counters that create a dense, poster-ready silhouette. Curves are inflated and rectangularized at the same time, producing a smooth, cushiony geometry; joins and shoulders stay blunt and simplified rather than calligraphic. Spacing feels tight but readable at display sizes, and the overall rhythm is energetic due to the consistent slant and chunky proportions.

Best suited for headlines and short lines where its dense weight and rounded slant can read clearly and set a lively tone. It works especially well for logos, packaging, and promotional graphics that benefit from a soft, playful display voice. For longer text, it will be most effective in larger sizes with ample line spacing.

The font projects a cheerful, retro-leaning confidence with a cartoony bounce and a friendly, approachable tone. Its soft corners and thick shapes make it feel warm and informal, while the forward slant adds motion and excitement—well suited to upbeat, attention-grabbing messaging.

The design appears intended as a high-impact display sans that combines super-rounded geometry with an italicized, forward-driving stance. It prioritizes friendliness and immediacy, aiming for a bold, fun voice that stands out quickly in branding and promotional contexts.

Numerals match the same swollen, rounded construction and read as sturdy, sign-like figures. The design favors bold silhouettes over fine detail, so small sizes may compress counters, but at headline scale it delivers strong impact and a distinctive, rounded-italic personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸