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Free for Commercial Use

Outline Geda 9 is a very light, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, posters, packaging, logos, invitations, playful, vintage, whimsical, storybook, friendly, decorative titling, vintage flavor, playful branding, layer-friendly, rounded, soft serif, bulb terminals, inline-free, airy.


Free for commercial use
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This typeface is drawn as a clean outline with open counters and no interior fill, producing an airy, lightweight presence. Letterforms lean on rounded, softly flared serif shapes with frequent ball-like terminals and gentle, bracketed joins. Curves are smooth and slightly inflated, with subtly irregular, hand-drawn-feeling modulation in the contour that keeps the rhythm lively. The alphabet shows distinct, characterful shapes (notably the curled tail on Q and the looped descenders on some lowercase), and the numerals follow the same rounded, decorative construction for a cohesive set.

This font is best suited to display settings such as headlines, posters, packaging fronts, and logo wordmarks where its outlined construction and rounded serif details can be appreciated. It can also work well for invitations, labels, and short phrases that aim for a cheerful, vintage-leaning look, especially when paired with solid companion text for longer reading.

The overall tone feels nostalgic and playful, like a classic confectionery or circus poster rendered in a gentler, more storybook-friendly way. Its outlined construction reads as lighthearted and decorative rather than formal, adding charm without heavy visual weight. The soft serifs and rounded terminals give it a welcoming, slightly whimsical personality.

The design appears intended as a decorative outline serif that adds personality through rounded terminals and playful curvature while remaining structurally clear. Its consistent contour treatment across letters and figures suggests it was drawn for attention-grabbing titling and stylized branding where lightness and charm are priorities.

Because the design relies on thin contour lines, it benefits from sufficient size and contrast in the layout so the outlines remain crisp and legible. The open, unfilled strokes also make it well suited to treatments like color fills, shadows, or layering in display compositions.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸