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Serif Flared Rybup 11 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Neilvard' by Arterfak Project, 'Copperplate New' by Caron twice, 'OL Signpainter Titling' by Dennis Ortiz-Lopez, 'Explorer' by Fenotype, 'The Pincher Brothers' by Larin Type Co, and 'Nostalgia Collective' by RagamKata (names referenced only for comparison).

Keywords: headlines, posters, editorial, packaging, branding, authoritative, heritage, dramatic, classic, display impact, heritage tone, editorial presence, crafted detail, bracketed, swashy, ball terminals, oldstyle numerals, teardrop terminals.


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A very dark, high-contrast serif with sculpted, bracketed serifs and distinctly flared stroke endings. The design mixes broad, weighty verticals with sharply thinned joins and tapered curves, producing a crisp, chiseled rhythm. Uppercase forms are wide and steady, with pronounced top serifs and compact interior counters that keep the texture dense. Lowercase shows noticeable personality in the terminals—teardrop/ball-like finishes and curled details on characters such as a, f, g, j, and y—while maintaining a consistent, upright structure and a readable, moderate x-height. Numerals appear as oldstyle figures with varying heights and strong serifed silhouettes, matching the text’s lively, calligraphic modulation.

This face is well suited to headlines, subheads, and large editorial typography where its high contrast and flared serifs can read as intentional detail rather than noise. It also fits branding and packaging that want a premium, heritage-forward look with a touch of flourish. For long passages, it will work best with generous size and spacing to balance the dense color and ornate terminals.

The overall tone is bold and traditional with a slightly theatrical edge, combining classical bookish credibility with attention-grabbing punch. Its strong contrast and ornamental terminals evoke historical printing and headline-era display typography, giving text a confident, authoritative voice that still feels crafted and expressive.

The design appears intended to deliver a classic serif voice with extra impact—pairing traditional proportions and serif construction with flared, tapered endings and decorative terminals to create a strong display presence. It aims to feel rooted in historical forms while remaining bold enough for modern headline-driven layouts.

The heavy color and tight-looking counters create a compact, poster-like density, especially in longer lines. Details like the distinctive Q tail, the sharply notched joins in S and G, and the curled descenders add character that becomes more apparent at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸