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Serif Other Umno 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Basketball' by Evo Studio, 'Block Capitals' and 'Enamela' by K-Type, 'Brainy Variable Sans' by Maculinc, 'Beachwood' by Swell Type, 'Hockeynight Sans' by XTOPH, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, athletic, industrial, authoritative, retro, loud, high impact, compact display, machined feel, sport emphasis, chamfered, octagonal, notched, condensed, blocky.


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This typeface uses compact, block-built forms with heavy weight and tight internal counters. Strokes are largely uniform and straight-sided, with corners cut into chamfers and occasional small notches that create an octagonal, engineered silhouette. Curves are minimized in favor of faceted geometry, producing squared bowls and angular joins; apertures and counters remain relatively small but consistently shaped across the set. Overall rhythm is vertical and compact, with sturdy capitals and similarly robust lowercase that keep a cohesive, sign-like texture in text.

Best used for headlines and short blocks of copy where strong typographic color is desirable—posters, sports branding, event graphics, packaging callouts, and bold signage. It can also work for logos or wordmarks that benefit from an angular, machined look, while extended small-size body text may feel heavy due to the tight counters.

The faceted, cut-corner construction gives the font an assertive, utilitarian tone that reads as sporty and industrial. Its bold presence and compact width feel suited to impact-driven messaging with a slightly retro, varsity-adjacent flavor, while still maintaining a disciplined, mechanical seriousness.

The design appears intended to deliver maximum impact in a compact footprint, using chamfered corners and faceted geometry to evoke cut metal, stenciled blocks, or athletic display lettering. Its consistent angular construction prioritizes recognizability and punch over subtle modulation, aiming for a tough, engineered personality.

The sample text shows strong color and dense spacing behavior, with clear emphasis on silhouette over interior detail. The numerals follow the same chamfered logic, reinforcing a consistent, stamped or fabricated aesthetic across alphanumerics.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸