Sans Other Mymis 3 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Fattty' by Drawwwn, 'Akkordeon' by Emtype Foundry, 'Rhode' by Font Bureau, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, 'Palo' by TypeUnion, and 'Bulltoad' by Typodermic (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids branding, stickers, playful, chunky, friendly, quirky, cartoonish, attention grab, friendly tone, playful display, handmade feel, rounded, soft corners, bouncy, compact, irregular.
A heavy, rounded sans with soft corners and slightly irregular, hand-cut geometry. Strokes are thick and monolinear, with small, tight counters and a compact interior rhythm that keeps letters feeling dense. Proportions vary noticeably from glyph to glyph, creating a lively, uneven texture in words; curves are often squarish and terminals look blunted rather than crisply finished. Numerals and capitals follow the same chunky construction, favoring broad bowls and simplified joins for maximum mass and impact.
Best suited to display work where bold silhouettes and personality matter: posters, playful branding, packaging, signage, and social graphics. It works especially well for children’s products, snack/novelty packaging, and event titles where a friendly, chunky voice is desired. For longer copy, it’s likely most effective in short lines or as emphasis rather than continuous reading.
The overall tone is cheerful and informal, leaning toward a cartoon headline feel. Its wobble and softened shapes give it a friendly, kid-centric energy, while the dense weight adds loud, attention-grabbing confidence. The effect is more fun and characterful than neutral or corporate.
The design appears intended to deliver maximum visual impact with a soft, approachable demeanor. By combining heavy, simplified forms with subtle irregularity, it aims for a handmade, playful texture that feels expressive and fun in headlines and branding.
At text sizes, the small counters and heavy fill can reduce clarity, especially in tightly spaced lines, but the strong silhouette keeps words recognizable in short bursts. The uneven widths and slightly idiosyncratic shapes contribute to a handmade personality that reads best when allowed some breathing room.