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Free for Commercial Use

Stencil Piri 5 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Geller' by Ludka Biniek (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, branding, industrial, authoritative, technical, classic, utilitarian, marking, labeling, durability, clarity, authority, bracketed serifs, crisp, high-clarity, label-like, mechanical.


Free for commercial use
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A serifed design with clear stencil bridges that interrupt key strokes while keeping letterforms highly recognizable. The shapes show moderate thick–thin movement and sturdy, bracket-like serif behavior, producing a strong, stable rhythm in text. Proportions are fairly conventional with open counters and crisp terminals, and the stencil cuts are consistently applied across capitals, lowercase, and numerals.

Well-suited to industrial branding, packaging, and labeling where a classic serif tone benefits from a stenciled, fabricated feel. It can work effectively for headlines, posters, signage, wayfinding, and title treatments that want authoritative typography with a technical twist. It also fits editorial or institutional designs as an accent face, especially for section headers, pull quotes, and cover typography.

This typeface feels classic and institutional, with a confident, no-nonsense tone. The deliberate breaks introduce a technical, industrial edge that reads as utilitarian rather than decorative. Overall, it balances traditional authority with a slightly engineered, labeled-equipment vibe.

The design appears intended for situations where a traditional serif voice is desired but the letterforms also need to suggest practical marking or fabrication constraints. The consistent stencil breaks seem engineered to preserve legibility while adding a functional, constructed character. It aims to read confidently at display sizes and remain coherent in short text settings.

The stencil bridges are prominent enough to be a defining feature without overly fragmenting the silhouettes, and the numerals and capitals retain a stately, readable presence. In continuous text, the breaks add texture and a slightly segmented rhythm, which can be a stylistic advantage when used intentionally.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
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15px
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10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸