Sans Faceted Lihi 5 is a regular weight, wide, monoline, upright, normal x-height, monospaced font visually similar to 'Arame' by DMTR.ORG (names referenced only for comparison).
Keywords: ui labels, game ui, signage, posters, brand marks, techno, industrial, arcade, utilitarian, sci‑fi, geometric voice, tech aesthetic, systematic texture, retro digital, angular, chamfered, octagonal, geometric, stencil‑like.
This typeface is built from straight, even strokes with chamfered corners that turn bowls and rounds into octagonal, faceted silhouettes. Terminals are consistently clipped, creating crisp, planar edges and a mechanical rhythm across the alphabet. Counters are generally squared-off and open, with simplified joins and a strong preference for right angles over curves; the overall texture reads orderly and grid-driven in running text. Figures follow the same faceted logic, with a squared, framed “0” and angular transitions that keep numerals visually consistent with the capitals.
Well-suited to interface labels, control panels, and game UI where a compact, mechanical voice helps information feel systematic. It also works effectively for signage, headings, and posters that want a crisp, angular impact, and for branding in tech, hardware, or sci‑fi adjacent contexts where geometric sharpness is an asset.
The faceted geometry and clipped corners give the font a techno-industrial tone that feels engineered and system-like. It evokes retro digital and arcade signage while still reading as modern, functional display text. The overall impression is assertive, clean, and slightly futuristic rather than friendly or handwritten.
The design appears intended to translate a geometric, faceted construction into a clean sans text system, replacing curves with consistent chamfers for a hard-edged, engineered look. Its disciplined stroke behavior and repeatable corner logic suggest an emphasis on visual uniformity and a distinctive, tech-forward identity in both all-caps and mixed-case settings.
The design maintains tight stylistic consistency between uppercase, lowercase, and numerals, with lowercase forms echoing the same angular construction. In the sample text, the repetitive chamfers create a distinctive sparkle at small sizes, and the rigid geometry produces a strong, uniform typographic color ideal for structured layouts.