Sans Superellipse Hidud 11 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Angela Love Sans' by Fargun Studio, 'Miguel De Northern' by Graphicxell, and 'Posterman' by Mans Greback (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, assertive, industrial, sporty, modern, poster-ready, impact, space-saving, modernization, legibility, condensed, blocky, rounded corners, compact, sturdy.
A compact, heavy sans with squared, superellipse-driven curves and softly rounded outer corners. Strokes are thick and largely uniform, with tight internal counters that emphasize a dense, high-impact texture. Terminals are predominantly flat, and curves transition quickly into straight segments, creating a blocky rhythm that stays clean at display sizes. The lowercase is simple and utilitarian, with single-storey forms and short extenders that keep lines tight; numerals match the same condensed, sturdy construction.
Best suited to short, high-impact text such as headlines, poster titling, labels, and bold branding lockups where density and presence are desirable. It can also work for signage and packaging where compact width helps fit more characters without losing punch.
The overall tone is forceful and pragmatic, with an industrial, no-nonsense presence. Its rounded-rectangle geometry softens the weight just enough to feel contemporary rather than purely brutal, landing in a sporty, poster-oriented register.
The design appears intended to deliver maximum visual impact in a condensed footprint, using superellipse-like curves to keep the forms friendly and contemporary while retaining a tough, utilitarian structure.
Spacing appears relatively tight for such heavy strokes, producing a solid “wall of type” effect in paragraphs and headlines. Round letters like O/C/S read more squarish than circular, while diagonals (V/W/Y) maintain a crisp, engineered feel.