Sans Normal Rakaz 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Sebino Soft' by Nine Font, 'Frygia' by Stawix, 'Mundial Narrow' by TipoType, and 'Coben' by cretype (names referenced only for comparison).
Keywords: headlines, branding, packaging, posters, children’s, friendly, playful, approachable, soft, chunky, approachability, impact, simplicity, modernity, rounded, blunt terminals, compact, bubbly, geometric.
A heavy, rounded sans with soft corners and smooth, even curves throughout. Strokes are consistently thick with minimal modulation, and terminals tend to end in blunt, rounded cuts. Counters are relatively open for the weight, with circular/oval bowls and simplified joins that keep silhouettes clean. Lowercase forms are compact and sturdy, with a single-storey “a” and “g” and short, rounded arms and tails; the overall spacing and proportions emphasize solidity and legibility at larger sizes.
This face works best where a friendly, high-impact voice is needed—headlines, logos, packaging, and short-form marketing copy. Its soft, rounded shapes also suit playful editorial accents and family- or kid-oriented design, while the sturdy silhouettes can hold up well in signage and display settings.
The letterforms read warm and upbeat, combining a sturdy presence with soft edges that feel welcoming rather than stern. Its rounded geometry and chunky rhythm give it a casual, contemporary tone suited to lighthearted, consumer-facing messaging.
The font appears designed to deliver strong visibility with a gentle, approachable character, using rounded geometry and simplified forms to keep the overall impression modern and friendly. Its consistent thickness and softened corners suggest an emphasis on clarity and charm in display-driven applications.
The design maintains a consistent rounded construction across capitals, lowercase, and numerals, creating a cohesive texture in paragraphs and headlines. Figures appear similarly weighted and simple in structure, matching the friendly, reduced-detail approach of the letters.