Sans Superellipse Daky 10 is a light, wide, monoline, upright, normal x-height font.
Keywords: ui labels, tech branding, posters, headlines, signage, futuristic, technical, digital, minimal, interface feel, sci-fi tone, systematic geometry, modern clarity, geometric, rounded, square-cut, modular, angular.
A geometric sans built from rounded-rectangle construction, with straight segments and softly radiused corners that keep counters and bowls squarish rather than circular. Strokes are uniform and clean, with open apertures and a slightly expanded footprint that gives letters ample horizontal presence. Curves are largely implied through corner rounding, creating a crisp, modular rhythm across capitals and lowercase. Numerals and punctuation follow the same rectilinear logic, producing a consistent, engineered texture in lines of text.
This font is well suited to UI labels, dashboards, and product/tech branding where a clean, modern geometry supports a high-tech feel. It also works effectively for posters, short headlines, and wayfinding-style signage, where the squared, rounded forms remain clear and visually distinctive at display sizes.
The overall tone feels futuristic and instrument-like, recalling interface lettering, sci‑fi titling, and technical labeling. Its squared curves and precise joins read as controlled and systematized, lending a cool, contemporary voice rather than a humanist one.
The design appears intended to translate a rounded-rectangle system into a practical sans for contemporary digital and technological contexts. By prioritizing consistent radii, modular structure, and uniform stroke behavior, it aims to deliver a disciplined, futuristic look with strong stylistic cohesion across letters and numerals.
Distinctive features include rectangular counters (notably in O/Q/0) and a tightly controlled corner radius that repeats throughout, reinforcing a cohesive grid-based aesthetic. The design’s simplified terminals and uniform stroke behavior keep it visually steady, though the pronounced geometry makes it more characterful than neutral in longer passages.