Sans Superellipse Isfe 10 is a very bold, very wide, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, sports branding, gaming ui, packaging, tech, industrial, sporty, futuristic, retro, impact, strength, clarity, modernity, branding, blocky, squared, rounded corners, compact counters, low apertures.
A heavy, block-constructed sans with squared, superellipse-like outlines and consistently rounded corners. Strokes are uniform and dense, with compact, rectangular counters (notably in O, D, and 0) and low, tight apertures that keep letterforms closed and sturdy. Terminals are blunt and orthogonal, and diagonals (A, K, V, W, X, Y) are cut with crisp straight edges that reinforce a machined, modular feel. The overall rhythm is wide and powerful, with generous horizontal presence and simplified interior shaping for strong silhouette readability.
Best suited to large-scale settings where mass and silhouette matter: headlines, display typography, posters, and branding that needs a strong, athletic presence. It also fits UI moments that benefit from a sturdy, technical voice—such as game menus, esports overlays, product labels, and bold packaging. For extended reading at small sizes, the compact counters and closed apertures may feel heavy, so it will generally perform better as a display face than as body text.
The font projects a rugged, high-impact tone that feels technical and engineered. Its rounded-rectangle geometry reads as contemporary and sporty, with a slight arcade/retro-digital flavor. The overall impression is confident, tough, and utilitarian rather than delicate or editorial.
The design appears intended to deliver maximum impact through simplified, rounded-rectangular construction and tightly controlled interior spaces. By combining blunt, industrial terminals with softened corners, it aims to feel both tough and approachable, creating a distinctive, modern display voice with a slightly retro-tech edge.
Round letters skew toward squarish forms, and punctuation (like the exclamation point and i/j dots) appears as solid circular elements, contrasting with the otherwise rectilinear construction. Numerals follow the same squared, compact-counter logic, helping mixed alphanumeric settings feel cohesive. In long lines of text the dense counters and tight openings emphasize texture and weight over airiness.